Artist Statement

What I call Ontological Figuration of Form in Painting is the exploration and discovery of new possibilities of form. For me, a line is not required to describe a correct outline; it can emerge from a head, a body, or an idea, and follow its own path without necessarily returning to its point of origin, breaking with part of the formal structure of the object.

Color acts as an autonomous layer of energy and presence. It does not seek only to represent skin or light, but to establish its own reality within the work. The background is not a neutral stage; it is an independent visual language, with its own geometry, rhythm, and temperature, existing in dialogue with the figure through tension, contrast, and interaction.

To develop this exploration, I use what I call Reflective Pictorial Polystylism, a method based on understanding the creative process itself as a source of discovery. Each execution reveals new relationships between line, color, structure, and figure, generating different works within the same ongoing investigation.

This search runs throughout my entire practice: a body, a head, or an object are starting points from which I explore their multiple formal and technical possibilities. In my painting, figuration is not a limitation, but an open space where form can transform itself and reveal new ways of existing.