b. 1976 Dominican Republic / United States

Watson Pablov’s practice is grounded in what he defines as the Ontological Art of Form — an approach that understands artistic creation as a structural manifestation of being. In this framework, form is not merely an aesthetic configuration, but a process through which consciousness, matter, and perception interact to generate meaning.

From this ontological foundation arises his principle of Polystylism, understood not as eclecticism but as a method of inquiry. Each stylistic shift, variation, or technique is employed as an instrument to observe how form behaves under different visual and conceptual conditions. The coexistence of multiple styles thus reflects an analytical process, revealing the structural intelligence underlying the act of creation.

His work unfolds through organized series, conceived as autonomous fields of exploration. Within them, Pablov develops transitions in visual language that correspond to distinct thematic and formal investigations. Despite their stylistic diversity, these series maintain coherence through a consistent inquiry into the structural logic of form.

Born in 1976 in María Trinidad Sánchez, Nagua, Dominican Republic, and nationalized American, Pablov’s painting emerges from the observation and decoding of reality. His creative process oscillates between analytical precision and intuitive freedom, combining technical mastery with conceptual depth.

For Pablov, painting is not the pursuit of a single style, but the study of how form reveals the intelligence of being. The freedom to move across languages and techniques is not a gesture of dispersion, but a structural necessity — a way to approach the essence of the pictorial act without the constraints of historical or stylistic boundaries.